Live Local Learn Local: Hidden Histories

Students from the Hidden Histories of Caerau and Ely course visit National Museums Wales with artists from CAER Studio

Hidden Histories of Caerau and Ely

In collaboration with CAER Heritage, a recent six-week course, Hidden Histories of Caerau and Ely was established by Cardiff University’s innovative Live Local Learn Local programme which delivers free accredited courses in communities facing social and economic challenges. CAER Heritage have embedded a whole range of these brilliant courses into our activities over the past 5 years, including archaeological field work, post excavation analysis and exploring the modern history of the area.

The new course was taken up enthusiastically by five members of the community along with several participants from further afield too, opening up new friendships and networks.

They all had a rare opportunity to visit the vaults of the National Museum of Wales guided by Evan, the senior curator of archaeology at the Museum, and to get valuable training in designing and executing museum exhibitions with Jordan, the learning and outreach officer at The Cardiff Story Museum.

The participants chose a selection of exciting artefacts that have been found in Caerau and Ely, from the Neolithic to the Middle Ages, each one sparking something in their imagination.

Neolithic artefacts discovered in South West Cardiff

Artefacts from the Bronze Age, also discovered in South West Cardiff

The opportunities to visit the vaults of the National Museum of Wales, Cardiff, meet with heritage professionals and Cardiff University academics and to receive bespoke training in designing exhibitions at The Cardiff Story Museum were particular highlights. Indeed, even the minibus driver who ferried us the museums has a PhD in history! (CAER’s Dave)

Many participants were already interested in history in general: one was experienced in research but had never looked at artefacts in detail before, preferring to visit sites – he was excited to rise to the challenge of researching materials and the use of individual artefacts. Another, who was already interested in the Middle Ages chose the bridle boss because it was such a decorative, tactile piece, and it fascinated her.

Other participants merged their hobbies with their research: one chose the Roman mortarium sherd – described as a kind of Roman food processor – because of her love of cookery. Finding an everyday kitchen object from the Roman Villa in Ely, where she used to play as a child, really inspired her.

As with all previous CAER Heritage Live Local Learn Local courses, through their efforts the participants not only learned new skills they also created new knowledge! Their research on the objects and their respective time periods will be featured in a week-long exhibition at the Cardiff Story Museum over the October half-term – so you can experience the fruits of their labour first hand.

“A BIT OF A LIFELINE”

Live Local Learn Local courses are aimed at engaging adults who may be facing a whole range of challenges. Indeed, one participant described the course as ‘a bit of a lifeline’, as her son, only a few months old, was able to come along to all the classes and could be accommodated easily on the trips. The others loved having him there too, and banded together to help carry the buggy up and down steps when access was restricted, and took it in turns to entertain him during the breaks!

You’re never to young to engage with the past!

The participants made friends on the course, and reported higher levels of confidence in their skills as they grew together, supporting and challenging each other over the six weeks.

Inspiring collaborations!

Alongside collaboration with national and local heritage institutions, it was also very exciting to also have the artists from the CAER Studio project involved in the course. They came with us on the museum field trips and sat in on the classes, modelling clay and sketching during class discussions – inspiring the participants to be creative in their interpretations of the objects. One student submitted a children’s story as their final piece of work, based on the artefact they were most interested in, and made contact with an illustrator through the project.

The participant’s research will not only be exhibited, it will also be posted online to People’s Collection Wales via the CAER Heritage Project account, so that the digital version of their exhibition will be available online, for free, to an international audience of all ages.

The exhibition itself, starring the 6-7 objects selected from over 6,000 years of Caerau and Ely’s heritage and chosen by the students with their accompanying research will be in the main gallery at Cardiff Story Museum over half-term in October (29 Oct – 2 Nov). Don’t miss it!

Melissa Julian Jones, June 2018

All photos courtesy of Rajinder Singh Gill.

Ely’s best kept secret – India Grant

 

The thing about this Cardiff gem is the fact it’s so well hidden. Standing at the bottom of a hill on a chilly December day there was little to indicate the presence of one of the largest, best- preserved hill-forts in South Wales.

Yet, it’s there and well worth a visit. As one member of our group put it, ‘It’s addictive! Once you visit your first hill-fort you won’t look back!’.

We were guided around the fort by Dr Olly Davis a Cardiff University Archaeologist. At the bottom, before we began the climb upwards there is a sign indicating how the fort would have looked when it was fully inhabited.

Walking up a gravel path, it’s easy to think this dirt track is just access to the farm at the top. In fact it leads to the top of the fortifications. Rising above you is a steep bank which would have served as defences. Time has worn it down, but when the fort was active it would have been 10 metres tall and formidable.

With modern machinery it would be a mammoth task. For the people who lived inside this Iron-age fortress it must have been epic. Yet for Iron-age Celts facing Roman attacks, it these defences were a necessity.

At the top of the hill fort is St Mary’s Church. Now a ruin, the church was still active in the 1970’s before being deconsecrated. There are still people that live in Ely and Caerau who were married in the church or went there for after-school clubs.

It’s worth climbing to the top if only to see the spectacular views of Cardiff and the Valleys beyond. On a clear day it’s possible to see as far as Castle Coch. It’s amazing to think how, thousands of years ago this was all greenery, there was no city sprawled out below, no Womanby Street to head to for nights out! It takes your breath away.

Going down the fort is a little trickier than going up. Again, wear sensible shoes! But it means you get to see the lay-out of the hill’s defences. Three rolling banks that would have been more protection for the fort are visible on the northern and southern slopes.

To conclude – the hill fort is well worth a visit! The walk around takes about an hour and Dr Olly Davis can answer just about ANY question you throw at him. It can be hard at times to get enough fresh air. But, tucked away in plain sight the hill-fort is wonderful for a calming weekend walk.

Helen’s CAER journey

THE

I have volunteered with the CAER Heritage Project since 2013.  Initially, my intention was to just ‘dip my toe’ into their local adult education archaeology courses, but I was immediately hooked.  I had been interested in archaeology from the comfort of my own home for far too long, and it was time for me to literally get my hands dirty and visit the actual Hillfort excavation.  The leaders and other volunteers could not have been more welcoming, and I was made to feel a part of the team straight away.

During the last four years, I have been lucky enough to be involved in many more activities, and I now count the team and other volunteers as friends.  I believe that along with ACE, we have developed a real feeling of community, all because we share a common interest in history and our local heritage.  As a group, we embody one of the Cambridge Dictionary definitions of co-production – ‘to transfer some power from professionals to users, as it means that both parties contribute resources and have a legitimate voice’.  Put simply, it means we have taken ownership of our own locality and heritage.  Volunteers, team members and council staff have litter-picked, repaired the hillfort ramparts and regularly sit on various working parties, making decisions that will make Ely and Caerau even better places to live.

The project has gathered momentum over several years, but 2017 catapulted us into a realm that could only once have been imagined, when we were awarded a development grant from the Heritage Lottery Fund. This enabled us to lease the Gospel Hall in Church Road, with the intention of turning it into a Local Heritage Centre.  All of this has been done in full consultation with volunteers.  It is us sitting alongside the architect giving him a wish list of what we would like, and how we would like it to look.

If all this year’s hard work is successful, a further grant will enable us to actually renovate the Gospel Hall and have further excavations in the area.

Back in March, I was privileged to be asked to serve on the Hidden Hillfort Management Team, along with our youth volunteer, Alana.  Other representatives come from Cardiff Council, Cardiff University, Glamorgan and Gwent Archaeology, the new Western High School, other voluntary organisations and ACE staff.  I have been fortunate enough to represent CAER in a Co-creating Communities presentation in Bristol and a community archaeology workshop in Lincoln, accompanied by another volunteer, Viv Thomas.  All of this, thanks to the adult education classes, four years ago.

It is now the end of 2017, and the project has won two major community archaeology awards, projecting us onto a national stage.  On a personal note, the project has taught me that everyone can bring something positive to the table and I’m confident the project is going to go from strength to strength.  I have enjoyed every moment of it and am really looking forward to 2018.

The Hidden Hillfort: creative co-production workshop

Hidden Hillfort creative co-production workshop at Our Place: Dusty Forge

On Friday 13th November four artists from the ACE Breaking the Mould: Hands On Art At Our Place project met up with members of the management team of the new HLF funded Hidden Hillfort project, and CAER Heritage Project artist Paul Evans for a day of intensive creative co-production.

Based around a series of exercises devised by Paul to put everyone at ease and to create a comfortable atmosphere for a free exchange of ideas, the day was amazingly productive and generated over 150 ideas for heritage interpretation that will feed into the development of the new centre that will be sited in the former Gospel Hall, Church road Caerau.

Of course 150 ideas is a lot to fit into one relatively small place so everyone’s suggestions were then subjected to some practical reasoning and trimmed down and organised around four key themes of Materials, Storytelling, Community & Co-production, Inside and Outside (i.e. how we might bring the hill fort into the heritage centre – and how we might bring ideas from the heritage centre up onto the hill).

The team also found time to discuss ideas for a heritage themed event will take place at the former Gospel Hall sometime around Christmas. There will be more news about this soon so keep your eyes on our Facebook Page, on Twitter – and WATCH THIS SPACE!

We would like to thank everyone who took part on the day and contributed so much of their time, energy and creative thought: artists Imogen Higgins,  Becci Holmes (see also In Rainbows), Nicola Parsons, and Dylan Sutton, Breaking the Mould coordinator Becky Matyus, members of the Hidden Hillfort project team – Dave Horton (ACE) Kimberley Jones (ACE), Dave Wyatt (Cardiff University), Oliver Davis (Cardiff University) – and CAER Heritage Project artist Paul Evans.

Unearthing Utopia

Unearthing Utopia workshop at Our Place: Dusty Forge, Ely. Photo © Viv Thomas

Background

In June 2016 CAER Heritage Project lead artist Paul Evans and local film maker Viv Thomas visited the Utopia Fair at Somerset House in London. Presented in partnership with the Arts and Humanities Research Council (AHRC) and the Connected Communities programme, the Utopia Fair showcased the creative outcomes from 25 AHRC-funded projects, including the CAER Model Village Project. All of these projects have worked to bring together local community groups, researchers, activists and artists across the UK to explore how utopian ideals can be used to benefit the environmental and social future of these communities.

Our next door neighbour at the fair was The Middlefield Dig. The Middlefield Dig in Gainsborough, Lincolnshire is part of a project called Middlefield’s Utopia – finding out about the history of the estate with people who live there. The project is organised by Professor Carenza Lewis and Dr Ian Waites at the University of Lincoln. The project team has worked with residents and volunteers in Gainsborough to conduct archaeological excavations on and around the Middlefield estate, to find out about its recent history, and to discover history going further back in time.

During a series of conversations between Paul, Viv and Carenza, it became obvious that these two projects have a lot in common: both projects are based on strong principles of community co-production, both are based within estates that were designed on utopian ‘garden city’ principles (originally developed in Radburn, New Jersey by Clarence Stein and Henry Wright) and above all both Caerau and Ely and Middlefield are wonderful, vibrant communities.

Although separated by a straight line distance of 268.78km or 167.01 miles, the aim of Unearthing Utopia is to create a short film that celebrates the connections between these two projects and between these two sites. In order to create this film we have run two workshops on separate days in Cardiff and Gainsborough – both workshops were devised and led by Paul and have been expertly filmed by Viv.

Gainsborough v* Cardiff

The Cardiff workshop (see photo above) was attended by members of the local community along with Oliver Davis and Kimberley Jones. Carenza travelled down from Lincoln for the day and we all had an amazingly productive time at Our Place: Dusty Forge, sharing stories and working on scripts based on questions that were designed to draw out comparisons between these two remarkably similar projects. These scripts were then used as the basis for a series of informal interviews that were filmed by Viv.

Carenza Lewis discusses finds from the Middlefield Dig with Helen McCarthy from the CAER Heritage Project. Photo © Viv Thomas 2017

Cardiff v* Gainsborough – the return match!

The Gainsborough Workshop was attended by community members from the Middlefield estate along with Carenza Lewis and Ian Waites, an art historian from Lincoln University who grew up on the estate. Viv travelled up from Cardiff to film the event and we were met in Gainsborough by Helen McCarthy, an active member of the CAER Heritage Project team – now well versed in the art of conducting interviews! Paul led a mirror image creative workshop, helping participants to generate scripts in preparation for their filmed interviews, and to take part in mapping/timeline activities that aimed to capture memories of growing up on the estate and their experiences during The Middlefield Dig. It was another remarkable day of sharing experiences and building new friendships!

The film is now in the editing stage and will be ready for viewing some time in the next couple of months – check back soon for an update on this exciting collaborative project.

* visits …

 

The Model Village :: Part 3

The Utopia Fair, Somerset House, London, 24-26 June 2016

The Utopia Fair, Somerset House, London, 24-26 June 2016

On 24-26th June 2016 CAER Heritage Project Lead artist Paul Evans, artist and film maker Jon Harrison, local film maker Viv Thomas and historian Dan Jewson attended the Utopia Fair at Somerset House London. Over the weekend, 35 representatives from contemporary utopian movements from all over the UK took up stalls and fill the courtyard, celebrating the pockets of utopia that are flourishing around the country from Newcastle to Cardiff, Sheffield to Scotland, Brighton to Doncaster plus a range of London sites.

Presented in partnership with the Arts and Humanities Research Council (AHRC) and the Connected Communities programme, the Utopia Fair showcased the creative outcomes from 25 AHRC-funded projects, including the CAER Model Village Project, alongside 10 additional initiatives that have been hand-selected by Somerset House. These projects work to bring together local community groups, researchers, activists and artists across the UK to explore how utopian ideals can be used to benefit the environmental and social future of our communities.

The Utopia Fair featured over 35 projects from around the UK - including the CAER Heritage Project

The Utopia Fair featured over 35 projects from around the UK – including the CAER Heritage Project.

Young and not-so-young visitors to The Model Village stall were invited to design their own character or scenery to feature in our amazing Model Village Theatre – created in laser cut plywood by MAKERS Sheffield.

The Model Village Theatre set created by MAKERS, Sheffield.

The Model Village Theatre set created by MAKERS, Sheffield.

After designing their characters for the theatre, our visitors were given the option to further develop their own individual cartoon characters – inhabitants for our Utopian ‘Model Village’

Developing characters for our Utopian animations.

Developing characters for our Utopian animations.

They also worked on scripts for their characters. These characters were then scanned into iPads and imported into a user-friendly app that allowed them to create short, scripted animation sequences. iPad photographs of Somerset House were used as backgrounds or scenery for these sequences.

Dan Jewson helps our young visitors to create a short animated film sequence.

Dan Jewson helps our young visitors to create a short animated film sequence.

In all over 15 animation sequences were created over the duration of the festival.

The film that we developed during the early stages of The Model Village project (see Dusty’s First World War,  The Model Village :: Part I  and  The Model Village :: Part II) also received a special screening as part of the Utopia Fair film programme.

The Model Village film can be viewed here: HERE.

Members of the team also had lots of fantastic conversations over the weekend and made some great new friends. Although we were very busy, and it was difficult to get round to see everyone, we especially welcome the connections that we made with the Life Chances Project and with our neighbours at the Middlefield Dig.

The CAER Heritage Project team from left to right: Viv Thomas, Jon Harrison, Paul Evans, Dan Jewson.

The CAER Heritage Project team from left to right: Viv Thomas, Jon Harrison, Paul Evans, Dan Jewson.

All photos © Viv Thomas 2016.

 

The Model Village :: Part 2

Results from the group drawing exercise ...

Results from the collaborative drawing exercise at Michaelston College …

The second stage of The Model Village Project took place on Wednesday 15th June at Michaelston Community College, Ely – a short distance from the site of the CAER Heritage Project 2016 community dig at Michaelston Medieval Village.

The young people, all from year 8, were given an introductory talk by Dr David Wyatt and CAER lead artist Paul Evans. During this they reviewed and reintroduced some of the topics dealt with in the first workshops at the The Glamorgan Archives (see Dusty’s First World War and The Model Village Part 1) along with an introduction to the concept of Utopia: an imagined community or society that possesses highly desirable – or nearly perfect – qualities.

The young people then divided into two groups and group one set off to visit the archaeological excavation at Michaelston Medieval Village; to learn more about medieval life, participate in the dig alongside community volunteers and examine some of the finds.

Meanwhile group two took part in a Medieval-themed version of the animation workshop that took place in The Model Village Part 1.

After a brief collaborative drawing exercise the young people developed their own individual cartoon characters – inhabitants for the Michaelston Medieval Village – and worked on scripts for their characters. These characters were then scanned into iPads and imported into a user-friendly app that allowed them to create short animation sequences. Photographs of Cosmeston Medieval Village, sourced from Wikicommons, were used as backgrounds or scenery for these sequences.

The young people needed very little encouragement to develop some amazing characters and scripts - lead artist Paul Evans enjoying the workshop ...

The young people needed very little encouragement to develop some amazing characters and scripts – lead artist Paul Evans is clearly enjoying the workshop …

The young people then carefully rehearsed their scripts and recorded their films/animation sequences, making the characters move in rhythm with their words.

Because of heavy rain the second group did not get a chance to visit the site, but this did give us time to give some serious thought to ideas of Utopia: what life might be like in a perfect world, and how Utopian ideas might apply to medieval villages – e.g Michaelston – or garden villages – e.g. Ely. The young people wrote some amazing reflections on their thoughts about this topic, which were recorded by Viv Thomas. One of these recordings has been used in the film; a beautiful summary/conclusion that helps reinforce connections between the substantial range of ideas explored throughout the project.

Selected animation sequences from this workshop have been featured in The Model Village film, along with an interview with Dr Stephanie Ward made at the Glamorgan Archive, and film sequences from the Ely estate made by local film maker Viv Thomas and Jon Harrison.

One of the many beautiful drawings of Medieval characters created during the workshops.

One of the many beautiful drawings of Medieval characters created during the workshops.

You can check out the finished film HERE.

All photos © Viv Thomas 2016.